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The only time I feel bad for not having a newer console is when Housemarque drops something. With a pedigree that goes back to the Amiga, they have developed and honed their taste to Jamon Iberico levels - I wouldn't be surprised if they let their games feed on acorns, free-range. They've perfected arcade feel, itself a kind of artisanal, out-of-time style, and now with Returnal and (from Mork tells me) Saros, they've mastered progression as well.

I think Saros is a super fun game whenever it isn’t trying to tell me whatever this story is. The bullet hell gameplay is really well done and if that’s all the game was I would probably love it, but they have layered in this inscrutable story that I find completely uninteresting and unnecessary. Jerry and I often say that something is “too grand for chicken” when trying to explain that a thing can be simple and great without needing an extra layer of gravitas. I will keep playing it, but that is how I feel about Saros. 

I made a joke about the feeling of being observed somehow by the creators of The Killing Stone, a crack squad of Triple A escapees who keep making the weirdest fucking crap. Deep, deep down there is someone there who knew that they would sell at least one copy of the game - and not merely to their mom, like usual.

Discord used to be a tool that I leveraged to communicate with friends and erstwhile allies, but over the years it's increasingly become something like a car up on blocks in my front yard - something to tinker with, absent any prospect or expectation of continuous functionality. I have to constantly remind it that I don't want to use the speaker in my monitor. And mics? "Forget about it." I would say that this is an unforgivable sin but I know at least one other person who might actually prefer this state of affairs. Also, this really happened. So.